Happy Together - The Turtles

Happy Together - The Turtles

        F#m
Imagine me and you, I do
                    E
I think about you day and night
It's only right
                   D
To think about the girl you love
And hold her tight
            C#
So happy together

            F#m
If I should call you up
Invest a dime
                  E
And you say you belong to me
And ease my mind
                 D
Imagine how the world could be
So very fine
            C#
So happy together

[Refrão]

F#              C#m              F#
I can't see me lovin' nobody but you
            A
For all my life
F#                   C#m                   F#
When you're with me, baby the skies'll be blue
            A
For all my life

F#m
Me and you
And you and me
                     E
No matter how they tossed the dice
It had to be
                 D
The only one for me is you
And you for me

(C#  F#m)
So happy together
So happy together
How is the weather
So happy together
We're happy together
So happy together

In Between Days - The Cure

 In Between Days - The Cure

A           D          A                   D
Yesterday I got so old I felt like I could die
A           D          A                  D
Yesterday I got so old it made me want to cry
   A               D
Go on, go on, just walk away
   A               D
Go on, go on, your choice is made
   A              D
Go on, go on, and disappear
   A           D
Go on, go on, away from here
      Bm                      E
And I know I was wrong when I said it was true
        Bm                    E                  A           D
That it couldn't be me and be her in between without you
    A
Without you

A           D          A                   D
Yesterday I got so scared I shivered like a child
A           D          A                  D
Yesterday away from you it froze me deep inside
   A               D
Come back, come back, don't walk away
   A               D
Come back, come back, come back today
   A              D
Come back, come back, why can't you see
   A           D
Come back, come back, come back to me
      Bm                      E
And I know it was wrong when I said it was true
        Bm                    E                  A           D
That it couldn't be me and be her in between without you
    A
Without you

Somebody That I Used To Know - Gotye

Somebody That I Used To Know - Gotye 

[Intro] Dm C Dm C

        Dm  C  Dm  C

Dm           C               Dm     C      Dm    C  
   Now and then I think of when we were together

( Dm  C )

Dm                C                Dm
   Like when you said you felt so happy
 C         Dm  C  Dm  C
You could die
Dm         C                  Dm        C
   Told myself that you were right for me
Dm              C              Dm     C
   But felt so lonely in your company
Dm               C                Dm  
   But that was love and it's an ache
    C      Dm    C  Dm  C
I still remember
 Dm            C           Dm      C       Dm     C 
You can get addicted to a certain kind of sadness

( Dm  C )

Dm            C            Dm
   Like resignation to the end
C          Dm  C  Dm  C
Always the end
Dm             C                   Dm       C
   So when we found that we could not make sense
 Dm       C                   Dm        C
Well you said that we would still be friends
 Dm         C               Dm   C         Dm   C  Dm  C
But I'll admit that I was glad that it was over

[Refrão]

Dm          C              Bb5(9) C
   But you didn't have to cut me  off
Dm           C             Bb5(9)
   Make out like it never happened
          C          Dm
And that we were nothing
    C             Bb5(9)    C
And I don't even need your love
          Dm               C
But you treat me like a stranger
          Bb5(9)   C
And that feels so rough
Dm          C               Bb5(9)  C
   No, you didn't have to stoop so low
Dm              C                  Bb5(9)
   Have your friends collect your records
           C          Dm
And then change your number
    C                 Bb5(9)     C
I guess that I don't need that though
 Dm                  C          Bb5(9)    C
Now you're just somebody that I used to know

( Dm  C  Bb5(9)  C )

 Dm                  C          Bb5(9)    C
Now you're just somebody that I used to know

( Dm  C  Bb5(9)  C )

 Dm                  C          Bb5(9)    C
Now you're just somebody that I used to know

( Dm  C  Dm  C )
( Dm  C  Dm  C )

Dm           C             Dm                   C
   Now and then I think of all the times you screwed me
Dm   C  Dm  C
Over
 Dm           C             Dm
But had me believing it was always something
  C       Dm  C  Dm  C
That I'd done
C
And I don't wanna live that way

Reading into every word you say

You said that you could let it go

And I wouldn't catch you hung up on 

Somebody that you used to know

[Refrão] 

Dm          C              Bb5(9) C
   But you didn't have to cut me  off
Dm           C             Bb5(9)
   Make out like it never happened
          C          Dm
And that we were nothing
    C             Bb5(9)    C
And I don't even need your love
          Dm               C
But you treat me like a stranger
          Bb5(9)   C
And that feels so rough
Dm          C               Bb5(9)  C
   No, you didn't have to stoop so low
Dm              C                  Bb5(9)
   Have your friends collect your records
           C          Dm
And then change your number
    C                 Bb5(9)     C
I guess that I don't need that though
 Dm                  C          Bb5(9)    C
Now you're just somebody that I used to know

     Dm  C 
Somebody
  Bb5(9)    C
I used to know
 Dm                  C          Bb5(9)    C
Now you're just somebody that I used to know
     Dm  C 
Somebody
  Bb5(9)    C
I used to know
 Dm                  C          Bb5(9)    C  Dm
Now you're just somebody that I used to know

Those Were The Days - Mary Hopkins

Those Were The Days -  Mary Hopkins

[Intro]
 
e|--------0--2--3--5--3--2--0----3--0--------------------------0---------------------------------------------|
B|--------0----------------------0-----------------0--0--1--3-----3--1---0-----------------------------------|
G|--------0----------------------0-----------------1-------------------------2-------------------------------|
D|-------------------------------2-----2---4-------2----------------------------2----------------------------|
A|---------------------------------------------------------------------------0-----0-------------------------|
E|-----0----------------------------------------------------------0------------------------------------------|
 
e|-----0--2--3--5--3--2h3p2---3--0------------2--2--2--2--------0----2---------------------------------------|
B|-----1----------------------0---------------------------2--4----------1--1--0------------------------------|
G|-----2----------------------0------------3-----------3----------------2--2--2------------------------------|
D|-----------------------------------------------------------------------------------------------------------|
A|--0-------------------------------7--5---4-----------4-------------2---------------------------------------|
E|----------------------------0------------------------------------------------------------------------------|

Em
1. Once upon a time there was a tavern,  
 
      E7                               Am
    where we used to raise a glass or two. 
 
                                      Em
    Remember how we laughed away the hours, 
 
    F#7                                     B7
    think of all the great things we would  do. 
 
                Em                                 Am
Those were the days, my friend, we thought they`d never end, 
 
              D       D7          G
we`d live and dance forever and a day, 
 
               Am                                 Em
we`d live the life we`d choose,  we`d fight and never lose, 
 
                 B7                           Em
those were the days, oh yes, those were the days.   
 
- Am  B7  Em  

    Em
2. Then the busy years went rushing by us, 
 
        E7                           Am
    we lost our starry oceans on the way. 
 
                                      Em
    If by chance I`d see you in the tavern, 
 
          F#7                           B7
    we`d smile at one another and we`d say.  
 
+ Chorus - Am  B7  Em 

    Em
3. Just tonight I stood before the tavern, 
 
     E7                             Am
    nothing seemed the way it used to be, 
 
                                     Em
    In the glass I saw a strange reflection, 
 
    F#7                          B7
    was that lonely woman really me ?  
 
+ Chorus - Am  B7  Em 

    Em
4. Through the door there came familiar laughter, 
 
       E                                  Am
    I saw your face and heard you call my name. 
 
                                       Em
    Oh, my friend, we`re older but no wiser, 
 
        F#7                                      B7
    for in our hearts the dreams are still the same. + Chorus

Time to Dance - Panic! At the Disco

 

Intro D5 A5 A#5 A5 F5 G5

            A#5
Well, she's not bleeding on the ballroom floor
     G5
Just for the attention.
    A#5           G5        F5
Cause that's just ridiculously on.
       A#5 (10x)              G5 (10x)
Well, she sure is going to get it

Here's the setting
  A#5 (10x)
Fashion magazines line the walls now
   G5 (10x)                     A5 pm   A#5
The walls line the bullet holes

   D5
Have some composure
  A5
And where is your posture?
  A#5
Oh, no, no!
   A5
You're pulling the trigger
  F5
Pulling the trigger
 G5
All wrong
[x2]

Rest here

Give me envy, give me malice, give me your attention
Give me envy, give me malice, baby, give me a break!
When I say "Shotgun", you say "Wedding"
"Shotgun", "Wedding", "Shotgun", "Wedding"

           A#5
She didn't choose this role
     G5
But she'll play it and make it sincere
    A#5           G5        F5
So you cry, you cry

(Give me a break)
       A#5 (10x)
But they believe it from the tears
                 G5 (10x)
And the teeth right down to the blood

At her feet
  A#5 (10x)
Boys will be boys
              G5 (5x)      F5 (5x)                A5 pm
Hiding in estrogen and wearing Aubergine dreams
              A#5
(Give me a break)

   D5
Have some composure
  A5
And where is your posture?
  A#5
Oh, no, no!
   A5
You're pulling the trigger
  F5
Pulling the trigger
 G5
All wrong
[x2]
   A5      A#5               D5        G5
Come on this is screaming "Photo op." op...
  A5
Come on
        A#5
Come on

This is screaming
       D5
This is screaming

This is screaming "Photo op."

A#5                     G5
Boys will be boys, baby

Boys will be boys
A#5                     G5
Boys will be boys, baby

Boys will be boys
   A#5
Give me envy, give me malice, give me your attention
   D5
Give me envy, give me malice, baby, give me a break!
   E5
When I say "Shotgun", you say "Wedding"
   G5
"Shotgun", "Wedding", "Shotgun", "Wedding"
                  D5
Boys will be boys

Hiding in estrogen and boys will be boys

Boys will be boys

I Constantly Thank God For Esteban - Panic! At The Disco

I Constantly Thank God For Esteban - Panic! At The Disco 

Capotraste na 3ª casa

[Intro] Em  B
        Em  B  C  B7

Em           B              C      B7
Give us this day our daily dose of faux affliction
Em
Forgive our sins forged at the pulpit
C                      B7
With forked tongues selling faux sermons
   Em         B               C
'cause I am a new wave gospel sharp
           B7
And you'll be thy witness
    Em                  B
So gentlemen, if you're gonna preach
    C                                B7
For God sakes preach with conviction

Em
Strike up the band
Oh, the conductor is beckoning
B
Come, congregation, and let's sing it like you mean it
   C
No, don't you get it, don't you get it, now
          B7
Don't you move
              Em
Strike up the band
Oh, the conductor is beckoning
B
Come, congregation, and let's sing it like you mean it
  C
No, don't you get it, don't you get it now
          B7
Don't you move

     Em
Just stay where I can see you
Douse the lights

B                             Em
We sure are in for a show tonight

Em                           B                  C    
In this little number we are graced by two displays 
          B7
of character
              Em              B
We've got the gunslinger extraordinaire
C               B7
Walking contradiction
    Em              B                   C
And I for one can see no blood from the hearts
                    B7
And the wrists you allegedly slit
    Em               B
And I for one won't stand for this
        C                                        B7
If this scene were a parish you'd all be condemned

Em
Strike up the band
Oh, the conductor is beckoning
B
Come, congregation, and let's sing it like you mean it
   C
No, don't you get it, don't you get it, now
          B7
Don't you move
              Em
Strike up the band
Oh, the conductor is beckoning
B
Come, congregation, and let's sing it like you mean it
  C
No, don't you get it, don't you get it now
          B7
Don't you move

     Am
Just stay where I can see you
          Em   B
Douse the lights

B7                               Em  B  C
We sure are in for a show tonight
Am
Stay where I can see you
          Em    B
Douse the lights
B7
We sure are in
Em         B     C
Stay where I can see you
          B7
Douse the lights

( Em  B  C  B7 )

La da da da da da da

B7            Em
Strike up the band
Oh, the conductor is beckoning
B
Come, congregation, and let's sing it like you mean it
C
No, don't you get it, don't you get it now
          B7
Don't you move
              Em
Strike up the band
Oh, the conductor is beckoning
B
Come, congregation, and let's sing it like you mean it
C
No, don't you get it, don't you get it now
          B7
Don't you move
Don't you move

( Em  B  C  B7 )

Don't you move
              Em
Strike up the band

Camisado - Panic! At The Disco

Camisado -  Panic! At The Disco

Bm             D
The I.V. and your hospital bed

G                            Em                      
This was no accident this was a therapeudic chain of 
A
events

Bm
This is the scent of dead skin on the linoleum floor
D
This is the scent of quarentine wings in a hospital
G
It's not so pleasant and it's not so conventional
Em                                A
It sure as hell ain't normal but we deal, we deal

Bm
The anesthetic never set in and I'm wondering when
D
The apathy and urgency is that I thought I phoned in
G
It's not so pleasant and it's not so conventional
Em                               A
It sure as hell ain't normal but we deal, we deal

D
Just sit back just sit back

Just sit back and relax

Just sit back just sit back
                              Em   G
Just sit back and relax again...

G                            A                       
Can't take the kid from the fight take the fight from
      Bm
 the kid
Bm
Sit back relapse, sit back relapse again
G                            A                       
Can't take the kid from the fight take the fight from
      Bm
 the kid
Bm
Just sit back, just sit back

D
You're a regular decorated emergency
D
You're a regular decorated emergency

Bm
This is the scent of dead skin on the linoleum floor
G
This is the scent of quarentine wings in a hospital
D
It's not so pleasant and it's not so conventional
A                                A#m
It sure as hell ain't normal but we deal, we deal

Bm
The anesthetic never set in and I'm wondering when
G
The apathy and urgency is that I thought I phoned in
D
It's not so pleasant and it's not so conventional
A                                A#m
It sure as hell ain't normal but we deal, we deal

G                            A                       
Can't take the kid from the fight take the fight from
      Bm
 the kid
Bm
Sit back relapse, sit back relapse again
G                            A                       
Can't take the kid from the fight take the fight from
      Bm
 the kid
Bm
Just sit back, just sit back

G         F#m
Sit back, sit back, relax ,relapse
Em              D          G
Sit back sit back ba ba ba da da
A                                 Bm    Bm/D
You can't take the kid out of the fight...

Bm
You're a regular decorated emergency

The bruises and contrusions will remind me what you did
 when you wake
Bm
You've earned your place atop the ICU's Hall Of Fame

The camera caught you causing a comotion on the gurney 
again

Em
You're a regular decorated emergency
G
The bruises and contrusions will remind me what you did
 when you wake
Em
You've earned your place atop the ICU's Hall Of Fame
D                               G                    
The camera caught you causing a comotion on the 
     A
gurney again

G                            A                       
Can't take the kid from the fight take the fight from
      Bm
 the kid
Bm
Sit back relapse, sit back relapse again
G                            A                       
Can't take the kid from the fight take the fight from
      Bm
 the kid
Em
Just sit back, just sit back

G         F#m
Sit back, sit back, relax ,relapse
Em              D          G
Sit back sit back ba ba ba da da
A                                 Em
You can't take the kid out of the fight...

Bm             D
The I.V. and your hospital bed

G                            Em                      
This was no accident this was a therapeudic chain of 
A
events

The Only Difference Between Martyrdom and Suicide Is Press Coverage - Panic! At The Disco

The Only Difference Between Martyrdom and Suicide Is Press Coverage - Panic! At The Disco

F#m                  D                          E
Sit tight I'm gunna need you to keep time come on,
               D                  F#m
just snap snap snap your fingers for me.
                    D                         E
Good good now we're making some progress come on,
              D                   F#m
just tap tap tap your toes to the beat.

        D      E                  D
And I believe, this may calls for a proper 
introduction,
   F#m             D        E                      D
and well, don't you see, that I'm the narrator and this
 is just the
   F#m
prologue.

Refrão:
E5                       F#5                          
Swear to shake if up and you swear to listen oh we're 
D5
still so young and
A5              E5
desperate for attention.
D5       E5       F#5                       E5
I, aim to be, your eyes, trophy boys trophy wives.

But It's Better If You Do - Panic! At The Disco

But It's Better If You Do - Panic! At The Disco

        Am
Now I'm of consenting age
         Em                 C
To be forgetting you in a cabaret
    Am
Somewhere downtown where a burlesque queen
     Em           C
May even ask my name

       Am
As she sheds her skin on stage
    Em                             C                   
I'm sitting and sweating to a dance song on the club's 
Am
PA.
                                      Em
And the strip joint veteran sits two away
                  C                               Am   
Smirking between dignified sips of his dignified peach 
     C    Fmaj7
and lime daiquiri...

Am        C            Fmaj7
And isn't this exactly where you'd like me
      Dm                              Am
I'm exactly where you'd like me you know
             Em         Dm
Praying for love in a lap dance

And paying in naivety

Am        C            Fmaj7
Oh, isn't this exactly where you'd like me
       Dm                              Am
I'm exactly where you'd like me, you know
            Em          Dm
Praying for love in a lap dance

And paying in naivety

(Pausa)

Oh, but I'm afraid that I,

Well I may have faked it
    Am                        Em                      
And I wouldn't be caught dead-d-dead-d-dead-d-dead in 
  C
this place

      Am                    Em
Well, I'm afraid that I,

                   C
That's right, well I may have faked it
    Am                    Em
And I wouldn't be caught dead in this place

Am        C            Fmaj7
And isn't this exactly where you'd like me
      Dm                               Am
I'm exactly where you'd like me you know
            Em         Dm
Praying for love in a lap dance

And paying in naivety

Am        C            Fmaj7
Oh, isn't this exactly where you'd like me
      Dm                               Am
I'm exactly where you'd like me you know
            Em         Dm
Praying for love in a lap dance

And paying in naivety

Am          C Em        Am  C       Am  C

      Am                Em
Well, I'm afraid that I,

Well I may have faked it
    Am                       Em
And I wouldn't be caught dead-d-dead-d-dead-d-dead in 
this place

      Am                Em
Well, I'm afraid that I,

That's right, well I may have faked it
    Am                   Em
And I wouldn't be caught dead in this place

Am        C            Fmaj7
And isn't this exactly where you'd like me
      Dm                             Am
I'm exactly where you'd like me you know
            Em         Dm
Praying for love in a lap dance

And paying in naivety

Am        C            Fmaj7
Oh, isn't this exactly where you'd like me
      Dm                              Am
I'm exactly where you'd like me you know
            Em         Dm
Praying for love in a lap dance

That Green Gentleman - Panic! At The Disco

 That Green Gentleman - Panic! At The Disco

C                                  F
Things are shaping up to be pretty odd.
C                        F
Little deaths in musical beds.
Am              G                  F
So it seems I'm someone I've never met.

C                                F
You will only hear these elegant crimes,
C                               F
Fall on your ears from criminal dimes.
Am           G                   F
They spill unfound from a pretty mouth.

Em
Everybody gets there and everybody gets their,
Dsus2
And Everybody gets their way

C / F / C / F

Am
I never said I missed her when everybody kissed her,
Dsus2
Now I'm the only one to blame.

C / F / G# / Bb

                           C    Em     F
Things have changed for me, and that's okay.
           Dsus2           G
I feel the same, I'm on my way, and I say.
C           Cadd9/B     Am
Things have changed for me, and that's okay.

C                           F
I want to go where everyone goes,
C                            F
I want to know what everyone knows
Am                 G                   F
I want to go where everyone feels the same

C                          F
I never said I'd leave the city,
C                           F
I never said I'd leave this town.
Am               G            F
A falling out we won't tiptoe about.

Theres a Good Reason These Tables Are Numbered Honey You Just Havent Though Of It Yet - Panic! At The Disco

Theres a Good Reason These Tables Are Numbered Honey You Just Havent Though Of It Yet - Panic! At The Disco

D                                     C
Please leave all overcoats, canes and tophats
                    F
with the doorman. From that moment
                  B
you'll be by yourself and underdressed.
     A
I'm wrecking this evening already and
 B
loving every minute of it.
C                            B                A
Ruining this banquet for the mildly inspiring end.

             D (hammer/palm mute)
When you're in black slacks with accentuating off white
C           C         B          A
pinstripes, whoa oh. Everything goes
      A     G    F    D
A   cord   ing   to   plan.
D                     C
I'm the new cancer, never looked better
F           B
you can't stand it.
         B                  B
And you say so under your breath
                 A                A
you're reading lips "when did he get all confident?"
*Haven't you heard that I'm the new cancer?
*I've never looked better and you can't stand it.

Transition: B B B B A A {X}

{VERSE 2}

*Next is a trip to the  the ladies' room in vain and,
*I bet you just can't keep up with, with fashionistas 
and
*Tonight, tonight, you are, you are a whispering 
campaign
*I bet to them your name is cheap, I bet to them you 
look like shhh...

D                    C
Talk to the mirror. Oh, choke back tears!
           B
And keep tellin' yourself that:

*"I'm a diva."
D                         C
Oh and the smokes in that cigarette box
         F                B
on the table they just so happened to be
  B     A   B    B     B    {X}   A
laced with ni   tro   gly   ce   rin


{Repeat: "I'm the new cancer"}


{BRIDGE} (slow strum)

D           C          F           B
Haven't you heard that I'm the new cancer
     B            A          D
I've never looked better and you can't stand it.

{OUTRO}
        D                          C
And i know, and i know, it just doesn't feel like
          F                         B
a night out with no one sizing you up.
            B             A
I've never been so surreptitious so of course
         D                            D
I'll be distracted when I spike the punch.

Lying Is The Most Fun A Girl Can Have Without Taking Her Clothes Off - Panic! At The Disco

Lying Is The Most Fun A Girl Can Have Without Taking Her Clothes Off - Panic! At The Disco

           Cm
Is it still me that makes you sweat?

Am I who you think about in bed?

    Ab
When the lights are dim and your hands are shaking as 
you're sliding off your dress?

Cm
Then think of what you did

And how I hope to God he was worth it

    Ab
When the lights are dim and your heart is racing as 
you're fingers touch your skin

          Cm
I've got more wit, a better kiss, a hotter touch, a 
better fuck

     Ab
Than any boy you'll ever meet, sweetie you had me

        Cm
Girl I was it look past the sweat, a better love 
deserving of

 Ab
Exchanging body heat in the passenger seat?

           Ab (Tocar uma vez e deixar soar)
No, no, no you know it will always just be, me

[Pré-Refrão]

Fm
Let's get these teen hearts beating. Faster, faster

[Refrão]

 Cm                Bb
So testosterone boys and harlequin girls

      Ab
Will you dance to this beat, and hold a lover close?

 Cm                Bb
So testosterone boys and harlequin girls

      Ab
Will you dance to this beat, and hold a lover close?

Interlúdio

   Cm
So I guess we're back to us, oh cameraman, swing the 
focus

      Ab
In case I lost my train of thought, where was it that 
we last left off?

(Let's pick up, pick up)

[Segunda Parte]

 Cm
Oh now I do recall, we just were getting to the part

     Ab
Where the shock sets in, and the stomach acid finds a 
new way to make you get sick

Cm
I hope you didn't expect that you'd get all of the atte

  Ab
Now let's not get selfish

Did you really think I'd let you kill this chorus?

[Pré-Refrão]

Fm
Let's get these teen hearts beating. Faster, faster

[Refrão]

 Cm                Bb
So testosterone boys and harlequin girls

      Ab
Will you dance to this beat, and hold a lover close?

 Cm                Bb
So testosterone boys and harlequin girls

      Ab
Will you dance to this beat, and hold a lover close?

[Ponte]

Cm
Dance to this beat

Bº
Dance to this beat

Ab
Dance to this beat

Fm
Dance to this beat

[Pré-Refrão]

(Piano)

Cm               Bb         Ab
Let's get these teen hearts beating faster, faster

Cm               Bb         Ab
Let's get these teen hearts beating faster

[Terceira Parte]

Cm
I've got more wit, a better kiss, a hotter touch, a 
better fuck

     Ab
Than any boy you'll ever meet, sweetie you had me

        Cm
Girl I was it look past the sweat, a better love 
deserving of

 Ab
Exchanging body heat in the passenger seat?

      Ab
No, no, no you know it will always just be, me

[Pré-Refrão]

Fm
Let's get these teen hearts beating. Faster, faster

[Refrão]

 Cm                Bb
So testosterone boys and harlequin girls

      Ab
Will you dance to this beat, and hold a lover close?

 Cm                Bb
So testosterone boys and harlequin girls

      Ab
Will you dance to this beat, and hold a lover close?

[Refrão]

    Cm            Bº
So testosterone boys and harlequin girls

Ab
Dance to this beat

    Cm            Bº
So testosterone boys and harlequin girls

Ab
Dance to this beat

                   Ab
And hold a lover close

[Final]

(Piano)

Cm               Bb         Ab
Let's get these teen hearts beating faster, faster

Cm               Bb         Ab
Let's get these teen hearts beating faster

Build God Then We'll Talk - Panic! At The Disco

Build God Then We'll Talk - Panic! At The Disco

Am
It's these substandard motels
G                 F                 E
On the, lalalala, corner of 4th and Freemont Street
Am                           G
Appealing, only because they are just that un-appealing
F                            E
Any practiced catholic would cross themselves upon 
entering
Am                      G
The rooms have a hint of asbestos
          F               E
And maybe just a dash of formaldehyde
Am                    G                        F     
And the habit of decomposing right before your very, 
          E
lalalala, eyes

Along with the people

  Am    C      F         E       Am  Dm   C      E
Inside, What a wonderful caricature of intimacy
  Am    C      F         E       Am  Dm   C      E
Inside, What a wonderful caricature of intimacy

F                            Am
Tonight tenants range from a lawyer and a virgin
F                            Am
Accessorizing with a rosary tucked inside her lingerie
     Dm         Am         F           G
She's getting a job at the firm come monday
     Dm         Am         F           G
The Mrs. will stay with the cheating attorney

A5           G5          F5              E
Moonlighting aside, she really needs his money
A5              G5            F5      E
What a wonderful caricature of intimacy. yeah (yeah)

Am             G
And not to mention
               F
The constable, and his proposition
E
For that "virgin"
Am       G                        F
Yes, the one the lawyer met with on "strictly business"
E
As he said to the Mrs.
Am
Only hours before
G
After he had left
F                       E
She was fixing her face in a compact
Am          G           F
There was a terrible crash
(There was a terrible crash)
Am                  G
Between her and the badge
                              F
She spilled her purse and her bag
            E                     Am C Am
And held a "purse" of a different kind
Am
Along with the people
Am      C       F         E      Am  Dm   C      E
 Inside, What a wonderful caricature of intimacy
Am      C       F         E      Am  Dm   C      E   
 Inside, What a wonderful caricature of intimacy
  F

(There are no)
F            Am                       F
Raindrops on roses and girls in white dresses
F                   Am
It's sleeping with roaches and taking bad chances
       Dm           Am      F             G
At the shade of the sheets before all the stains
Dm        Am         F                G
And a few more of your least favorite things
F            Am                       F
Raindrops on roses and girls in white dresses
F                  Am
It's sleeping with roaches and taking bad chances
       Dm           Am     F              G
At the shade of the sheets before all the stains
Dm        Am         F                G        F   E
And a few more of your least favorite things

Am      C       F         E       Am Dm  C      E
 Inside, What a wonderful caricature of intimacy
Am      C       F         E       Am Dm  C      E  F  
 Inside, What a wonderful caricature of intimacy
Am  F
F            Am                       F
Raindrops on roses and girls in white dresses
F                  Am
It's sleeping with roaches and taking bad chances
       Dm           Am      F             G
At the shade of the sheets before all the stains
Dm        Am         F                G
And a few more of your least favorite things
F            Am                       F
Raindrops on roses and girls in white dresses
F                  Am
It's sleeping with roaches and taking bad chances
       Dm           Am      F             G
At the shade of the sheets before all the stains
Dm        Am         F                G
And a few more of your least favorite things

Northern Downpour - Panic! At The Disco

Northern Downpour - Panic! At The Disco

F                         Bb
If all our life is but a dream,
                 F
fantastic posing greed.
                                         Bb
Then we should feed our jewellery to the sea.
Bb           Dm            F
For diamonds do appear to be.
F         Dm              Bb
Just like broken glass to me.
F                             Bb
And then she said she can't believe.
            F
Genius only comes along
                    Bb
in storms of fabled foreign tongues.
Bb       Dm                F
Tripping eyes, and flooded lungs.
F        Dm                 Bb
Northern Downpour sends its love.
Am                  C           Dm
Hey moon, please forget to fall down
Am        C            F
Hey moon, don't you go down.
F                Bb
Sugarcane in the easy morning.
       Dm       Bb
Weathervanes my one and lonely.
F                             Bb
The ink is running toward the page,
                     F
it's chasing off the days.
                                       Bb
Look back at both feet and that winding knee.
Bb             Dm               F
I missed your skin when you were east
F                Dm                  Bb
You clicked your heels and wished for me
F                             Bb
Through playful lips made of yarn
                   F
That fragiled Capricorn
                                       Bb
Unravelled words like moths upon old scarves
Bb          Dm              F
I know the world's a broken bone
F             Dm                Bb
But melt your headaches call it home.
Am                  C           Dm
Hey moon, please forget to fall down
Am        C            F
Hey moon, don't you go down.

F                Bb
Sugarcane in the easy morning.
       Dm       Bb               
Weathervanes my one and lonely... (4x)
F                Bb
Hey moon please forget to fall down.
Dm       Bb             F
Hey moon don't you go down.
F               Bb
You are at the top of my lungs.
Dm           Bb               F
Drawn to the ones who never yawn.

Nine In The Afternoon - Panic! At The Disco

Nine In The Afternoon - Panic! At The Disco 

Capotraste na 3ª casa

(G)
Back to the street where we began,
                                      (Em)
Feeling as good as lovers can, you know,
           (C)
Now we're feeling so good.

(G)
Speaking of things we shouldn't read,
                                      (Em)
Looks like the end of history as we know,
           (C)
It's just the end of the world.

(Em) (on each beat, drop 1 fret on B)
Back to the street where we began,
                                       (E) - Hold.
Feeling as good as love, you could, you can.

Into a place, where thoughts can bloom,
Into a room where it's nine in the afternoon ,    
(Repeat Same Thing.)
And we know that it could be,

And we know that it should,
And you know that you feel it too,              (Here 
too)
'Cause it's nine in the afternoon.

(G)                    (G/f#)       (Em)
And your eyes are the size of the moon,
                                (Bm)
You could 'cause you can so you do,

We're feeling so good,
          (C)
Just the way that we do
          (C)         (D)    (G)
When it's nine in the afternoon .

(G)             (F#)          (Em)
Your eyes are the size of the moon,
                               (Bm)
You could 'cause you can so you do,
               (C) (G)
We're feeling so good.

Back to the street,
Down to our feet,
Losing the feeling of feeling unique,   (Chorus Bit)
Do you know what I mean?

Back to the place,
Where we used to say,                    (Chorus Bit 
again ;)
Man it feels good to feel this way,
Now I know what I mean.

Back to the street, back to the place,
Back to the room where it all began,     (Em - B 
string. 1 Fret drop on
Back to the room where it all began,      every beat)
'Cos it's nine in the afternoon.
(x3)
Your eyes are the size of the moon,
You could 'cause you can so you do,
We're feeling so good,
Just the way that we do,
When it's nine in the afternoon.

The Ballad Of Mona Lisa - Panic! At The Disco

The Ballad Of Mona Lisa - Panic! At The Disco 

[Intro] Am F Dm E7

Am
She paints her fingers with a close precision
F
He starts to notice empty bottles of gin
Dm                                            Am       E
And takes a moment to assess the sin she's paid for
Am
A lonely speaker in a conversation
F
Her words are swimming through his ears again
Dm                                E                 Am
There's nothing wrong with just a taste of what you paid for

F             C                 E
Say what you mean, tell me I'm right
            Am         G      F
And let the sun reign down on me
           C               E
Give me a sign, I wanna believe

F
Whoa ah ah ah oh, Mona Lisa
Am                   G
You're guaranteed to run this town
F
Whoa ah ah ah oh, Mona Lisa
C                   E
I'd pay to see you frown

( Am  E7 )

Am
He senses something, call it desperation
F
Another dollar, another day
Dm                         E                      Am
And if she had the proper words to say, she would tell 'im
                Am
But she'd have nothing left to sell 'im

F             C                E
Say what you mean, tell me I'm right
             Am        G       F
And let the sun reign down on me
             C               E
Give me a sign, I wanna believe

F
Whoa ah ah ah oh, Mona Lisa
Am                    G
You're guaranteed to run this town
F
Whoa ah ah ah oh, Mona Lisa
C                   E
I'd pay to see you frown

Am     F     C     E7
Mona Lisa wear me out
Am     F     C     E7
Pleased to please ya
Am     F     C     E7     F
Mona Lisa wear me out

F             C                E
Say what you mean, tell me I'm right
             Am        G       F
And let the sun reign down on me
             C               E
Give me a sign, I wanna believe

F
Whoa ah ah ah oh, Mona Lisa
Am                    G
You're guaranteed to run this town
F
Whoa ah ah ah oh, Mona Lisa
C                   E
I'd pay to see you frown

F                               Am
Say what you mean, tell me I'm right
             G                 F
And let the sun reign down on me
                           C  E ( E )
Give me a sign, I wanna believe

Dm                                 E7                    Am
There's nothing wrong with just a taste of what you paid for..

Moonlight - Ariana Grande

Moonlight - Ariana Grande

 The Sun is setting, and you're right here by my side

 And the movie's playing, but we won't be watching 
tonight
       A                          Bm
 Every look, every touch makes me wanna give you my 
heart
      C#m
 I be crushin' on you, baby
          Bm
 Stay the way you are, 'cause...

 A             Bm
 I never knew, I never knew
           C#m                    Bm
 You could have moonlight in your hands
                       A
 'Til the night I held you
   Bm          C#m   ( Em/B ) Bm   A
 You're my moonlight, moo... oon.. light

A
 I kiss his fingertips
        Bm
 As I'm wishing he's all mine
C#m
 He's giving me Elvis
           Bm              ( D )
 With some James Dean in his eyes

          A
 Puts his lips on my neck
         Bm
 Makes me want to give him my body
      C#m
 I be fallin' for you, baby
       Bm              ( D )
 And I just can't stop, 'cause

 A             Bm
 I never knew, I never knew
           C#m                    Bm
 You could have moonlight in your hands
                       A
 'Til the night I held you
   Bm          C#m   ( Em/B ) Bm   A
 You're my moonlight, moo... oon.. light

A          Bm
 Baby I be fallin'
               C#m   ( Em/B ) Bm   A
 You're my moonlight, moo... oon.. light

GUITAR AND VIOLINS:
1 2 3 4 5 6 7 8
A       Bm
A   C#m D
A       D
Bm      Dm

         A
 He's so bossy
             Bm
 He makes me dance
       A
 Tryna sit in the back of his whip
                    Bm
 And just cancel my plans

            A
 Sweet like candy
                 Bm
 But he's such a man
          A
 He knows just what it does when he's holding me tight
        Bm        Dm         A
 And he calls me "Moonlight" too

I Write Sins Not Tragedies - Panic! At The Disco

I Write Sins Not Tragedies - Panic! At The Disco

Am
Oh, well imagine, as I'm pacing the pews in a church 
corridor
       D
And I can't help but to hear
                        F
No I can't help but to hear an exchanging of words
Am
   "What a beautiful wedding! What a beautiful 
wedding!"

Says a bridesmaid to a waiter
 D
Yes, but what a shame, what a shame
           F
The poor groom's bride is a whore

[Refrão]

Am                    F                        Dm
I'd chime in with a "haven't you people ever heard of
              G    Am
Closing a goddamn door?"
                 C                  Dm
No, it's much better to face these kinds of things
                                G
With a sense of poise and rationality

Am              F                      Dm
I'd chime in, "haven't you people ever heard of
              G    Am
Closing a goddamn door?"
                 C                  Dm                 
No, it's much better to face these kinds of things with
    G
 a sense of

[Segunda Parte]

 Am
Well in fact, well I'll look at it this way
                                    D
I mean technically our marriage is saved
                       F
Well this calls for a toast, so pour the champagne
Am
Oh! Well in fact, well I'll look at it this way
                                    D
I mean technically our marriage is saved
                                 F
Well this calls for a toast, so pour the champagne

Pour the champagne

( G  F  D )

[Refrão]

Am                      F                     Dm
I'd chime in with a "haven't you people ever heard of
              G    Am
Closing a goddamn door?"
                 C                  Dm
No, it's much better to face these kinds of things
                                G
With a sense of poise and rationality

Am               F                    Dm
I'd chime in, "haven't you people ever heard of
              G    Am
Closing a goddamn door?"
                 C                  Dm                 
No, it's much better to face these kinds of things with
    G
 a sense of
 F         G        F  D
Poise and rationality
  F   C  F  D
Again

Am                      F                    Dm
I'd chime in with a "haven't you people ever heard of
              G    Am
Closing a goddamn door?"
                 C                  Dm
No, it's much better to face these kinds of things
                                G
With a sense of poise and rationality

Am                F                     Dm
I'd chime in, "haven't you people ever heard of
              G    Am
Closing a goddamn door?"
                 C                  Dm                 
No, it's much better to face these kinds of things with
    G
 a sense of
 F         G        F  D
Poise and rationality
  F   G  F  D  F
Again

High Hopes - Panic at the Disco

High Hopes - Panic at the Disco

Bb   F   Dm   C
Bb   F   Dm   Am
 
[Chorus]
            Bb                     F
Had to have high, high hopes for a living
                 Dm                           C
Shooting for the stars when I couldn't make a killing
              Bb                      F
Didn't have a dime but I always had a vision
           Dm              Am
Always had high, high hopes
 
            Bb                     F
Had to have high, high hopes for a living
            Dm                     C
Didn't know how but I always had a feeling
            Bb                F
I was gonna be that one in a million
           Dm              Am
Always had high, high hopes
 
[Verse 1]
Bb
Mama said
F
  Fulfill the prophecy
Dm
Be something greater
C
  Go make a legacy
Bb
Manifest destiny
F
Back in the days
          Dm                 Am
We wanted everything, wanted everything
 
Bb
Mama said
F
  Burn your biographies
Dm
Rewrite your history
C
Light up your wildest dreams
Bb                F
Museum victories, everyday
          Dm                 N.C.
We wanted everything, wanted everything
 
[Pre-Chorus]
     F               Aaug       Dm         Bbm6
Mama said don't give up, it's a little complicated
         F           Aaug         Dm              Bbm6
All tied up, no more love and I'd hate to see you waiting
 
[Chorus]
            Bb                     F
Had to have high, high hopes for a living
                 Dm                           C
Shooting for the stars when I couldn't make a killing
              Bb                      F
Didn't have a dime but I always had a vision
           Dm              Am
Always had high, high hopes
 
            Bb                     F
Had to have high, high hopes for a living
            Dm                     C
Didn't know how but I always had a feeling
            Bb               F
I was gonna be that one in a million
           Dm              N.C.
Always had high, high hopes
 
[Verse 2]
Bb
Mama said
F
It's uphill for oddities
    Dm
The stranger crusaders
C
  Ain't ever wannabes
    Bb
The weird and the novelties
F
Don't ever change
          Dm                 Am
We wanted everything, wanted everything
 
Bb                F
  Stay up on that rise
                Dm                  C
Stay up on that rise and never come down
Bb                F
  Stay up on that rise
                Dm                  N.C.
Stay up on that rise and never come down
 
[Pre-Chorus]
     F               Aaug       Dm         Bbm6
Mama said don't give up, it's a little complicated
         F           Aaug         Dm              Bbm6
All tied up, no more love and I'd hate to see you waiting
              F                      Aaug                     Dm           Bbm6
They say it's all been done but they haven't seen the best of me - e - e - e 
         F                     Aaug                Dm            Bbm6
So I got one more run and it's gonna be a sight to see - e - e - e
 
[Acapella]
            N.C.
Had to have high, high hopes for a living
 
Shooting for the stars when I couldn't make a killing
 
Didn't have a dime but I always had a vision
 
Always had high, high hopes
 
Had to have high, high hopes for a living
 
Didn't know how but I always had a feeling
 
I was gonna be that one in a million
 
Always had high, high hopes
 
[Chorus]
            Bb                     F
Had to have high, high hopes for a living
                 Dm                           C
Shooting for the stars when I couldn't make a killing
              Bb                      F
Didn't have a dime but I always had a vision
           Dm         Am
Always had high, high hopes
 
            Bb                     F
Had to have high, high hopes for a living
            Dm                     C
Didn't know how but I always had a feeling
            Bb               F
I was gonna be that one in a million
           Dm         Am
Always had high, high hopes